Dagmar zum Hingst
Dagmar zum Hingst
SOPRANO
About the Singer
Dagmar zum Hingst began building her solo career early as a talented classical singer, studying voice in Germany and the USA. Shaped by her German upbringing and cultural roots, she soon became part of the country’s vibrant opera, oratorio, and concert scene. With a signature style of bell-like clarity - most evident in her virtuoso coloraturas - combined with a vocal timbre of welcoming warmth and a radiant stage presence, she has captivated audiences around the world.
Bio
Born and raised in Germany,
Opera singer Dagmar zum Hingst studied voice at New England Conservatory of Music Boston, MA, and at Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart, Germany. Her success at a number of competitions, notably the International Voice Competition Robert Stolz in Hamburg, Germany, drew her exceptional gifts to the attention of the public.
As Barbarina in Mozart's The Marriage of Figaro, the classical singer made her Opera debut at Theater Pforzheim, Germany. Other German stages included Theater Freiburg, e.g. as critically acclaimed Lucy in Menotti's The Telephone, and Staatsoper Stuttgart.
Her crystal clear solo soprano has been heard throughout Europe's cathedrals in oratorios like Handel's Messiah and Mozart Requiem.
Numerous recitals with pianist Zsolt Lendvai have resulted in an expansive repertoire in Lied, Opera, Operetta and Musical, and culminated in the versatile album A Dayful of Song.
Dagmar has been featured on Germany's most premier television channels, and signature pieces like Mein Herr Marquis have delighted audiences on German Radio. The singer has also performed in the United States, namely in the San Diego and Bay Area.
As a mother, she currently resides in California, where she has also had the pleasure of making brief appearances in films such as Trattoria.
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